Devika Girish

Love is war: the British master discusses art, beauty, eternity, and his new film, an impressionistic biopic of poet Siegfried Sassoon

Forking paths: the Taiwanese auteur discusses his latest, Days, a film that trembles with the simple pleasure and release of human touch

The pleasure of this archival concert film is in watching a symphony of performance and reception, call-and-response

Suzanne Lindon’s debut captures the thrill of first passion and heartbreak, but without sordid clichés

Home of the free: Adam Khalil, Zack Khalil, and Jackson Polys discuss their “public secret society” and its new exhibit, which questions our relationships to indigeneity

In the drink: Undine reenergizes the recursive motifs of Christian Petzold's oeuvre while also sharpening his longstanding interest in history and capitalism

Time after time: the Haitian filmmaker discusses his new series, a kaleidoscopic exploration of the origins of white supremacy

Djibril Diop Mambéty, Senegal, 1992; Kino Lorber, DVD & Blu-Ray

Colombian filmmaker Camilo Restrepo’s debut feature Los Conductos burns white-hot with the misterioso story of an outlaw at large

With no theater to step into, Devika Girish reflects on the options for connecting with others and with cinema

New and important work plucked from festivals and elsewhere

Water under the bridge: Christian Petzold, director of Berlinale sensation Undine, talks about themes of romantic loss and betrayal in his work

The great flood: Lemohang Jeremiah Mosese's Sundance-winning feature turns the tragic realities of displacement in Lesotho into a strange, oneiric fable

Man alive: the director of Cameraperson sits down out at Sundance to discuss her latest, premiering at the festival

Looking forward: Eliza Hittman's portrait of fraught teenagehood is the most overtly political of the writer-director’s work

Becoming a critic in an era of burgeoning possibility and unsettling futures

In her harrowing new feature, Kitty Green details the lives of low-level Hollywood workers and the webs of power and silence they’re often caught in

Greta Gerwig’s energetic tour-de-force adaptation of Little Women frames the aspirations of Jo and her sisters as urgent matters of personal independence

Women of the world, take over: this year’s festival featured bracing, inspired films by up-and-coming women directors from all over the world

Here, there, and everywhere: the director of Terminal Sud discusses the universal resonances of his elliptical French-Algerian thriller